Oh dear. Look, no offence, but if you are going to use AI to create a post, or if you are going to copy and paste someone else’s, please don’t make it one created by a machine that has fed off the writing of thousands of talented people and then, in a very untalented way, put it back into a completely farcical set of words.
I am referring, without prejudice, to a post on a social media group/page that purported to be talking about Symi. It has appeared a few times in various places, and perhaps people share it because they can’t tell that it is AI at work. Let me give you a few examples from the translated text (the original is in Greek); a few things that prove it was regurgitated by a computer and not thoughtfully composed by a creative human. (Ps. This is only for a bit of fun, and not a slight against whoever has used this text and shared it.)

For a start, in one place, when talking about the island generally, the text line says: You don’t read her story, you listen to it. Apart from making me think, ‘What on earth does that mean?’ I note that Symi is female. A little later, she has transitioned. She’s not just beautiful. He has energy. Then we have the rather worrying, … stone courtyards that smell of basil, worn steps that lead you up or inside you.
Worn steps that lead inside you? Carry on Up the Khyber Pass, perhaps?
Holding hands with that rare silence that only companionship has when words are not needed. [Reaches for sick bag.] That’s the kind of drivel you might read in an AI-generated Regency romance novel, all heaving breasts and ripping Empire lines, no plot, no character development, only saccharine words that not even Dame Barbara Cartland would have dictated from her chaise.
… cats that were sleeping like queens on terraces and benches. Ah yes, a reference to that time when Good Queen Bess found herself homeless in Chatham and had to kip in the park.
… discovering corners forgotten by the world, yet so alive. Don’t overdo the hyperbole, love. Forgotten? Not by the thousands of day trippers and cruise passengers, regular visitors, not to mention us 3,000 inhabitants, and if there is a forgotten corner, it will soon have another Airbnb built on it.

We got lost in hidden chapels and sheltered bays, leaving behind us only our laughter and the sound of exhaust. The. Sound. Of. Exhaust. [Thinks for a moment, and imagines the Honda 125 that screams past the house at 3.00 in the morning, leaving behind the stink of burning engine oil.] Nice.
Along the way, our gaze became a pilgrimage. Now we’re getting into the realms of Oscar Hammerstein II and some of his classic lyrical writing. I cite: [My heart wants…] To sing through the night like a lark who is learning to pray. (The Sound of Music.) A lark who is learning to do what now? Ah! Kneeling at a prie-dieu with a rosary in its wings… Come on, Oscar, you can do better than that.
The AI word vomiter, sadly, cannot.
We reached Archangel Michael the Roukouniotis and got lost in that silence that only stone monasteries near the sea can offer. It’s inland, babe. Were you using Google Maps?
Next comes a different, old, ecstatic pilgrimage that I first read as ‘elastic,’ and a quietness that was not just silence. Er… There’s a difference between quietness and silence, isn’t there? In this case, quietness is clearly made up of silence and something else, therefore rendering it neither quiet nor silent. I’m confused.
… we stood reverently, not out of obligation, but out of a sense of deep inner silence.
We remained silent.
… the prayer of the Aegean sailors could still be heard. (They only had the one prayer between them, but it was apparently loud enough to break this interminably noisy silence from which the island apparently suffers.)

The sea of Symi is crystal clear, a mirror of the sky. Your average Symi sky comes with clouds, chem trails from planes, the occasional helicopter, drones and Sahara dust clouds. On the upside, we do see ravens, hawks, migrating birds, incredible sunrises and sets, turtle doves and so on – but not mirrored in the sea.
The post goes on, endlessly taking us into realms of quiet silence through the treacle of nonsensical embellishment… And on. And on. And runs for so long, only a pedant like me would read it. But as for the remaining highlights:
She wasn’t just clean. O…kay. What else was she then?
… small vessels that seemed to have come out of a Greek black and white, picturesque, as if they had a soul. What? Has Trump now taken over the AI machine?
Every shoreline and a sigh of joy. [Inserts about-to-vomit emoji.]
And the sun is warm, sweet, like a caress as it sears the skin of whiter than white tourists, turning it to the raw red of our childhood skimmed knees and silent moments of Greek joy like we used to know in another person’s life of such tranquillity and reflected sky. (I put that in so when an AI snout comes a-snouting, it won’t know what the hell to make of this.)
And so on and so on… Until we take a very extended excursion, There, in Marathon, among the few pine trees… According to Google Maps, Marathon is a 640 km drive away, but there is a road joining it directly to Symi if you don’t mind driving over water. But, whatever…
This line, on its own, possibly cribbed from Gerard Manley Hopkins or another Jesuit poet: As a souvenir from the times of radio, fishing line and family Sundays.
I’ll leave that conundrum with you because, quite frankly, I’ve had enough of this drivel.
Perhaps, now, you can see why I am so against generative AI. (The thing you use when you want to become a published author overnight, so you type in ‘Write me a successful novel overnight,’ and out pops this kind of crap.) Well, at least it’s novel, I suppose. But the worst thing is, people fall for it. The need to produce content, it seems, is more important than the content of that content, and that can only lead to a dumbing down of human creativity. The more we accept this kind of nonsense, the more immune to it we will become, until, one day, we’ll end up speaking like it.
On that note, I shall be away now. I shall take to the ancient, basil-smelling stone steps of antiquity, while watching the sea reflect the lark-prayed hopes and dreams of the young blacksmith’s daughter, whose passion was as intense as the furnace of her nearly-silent youth, his breasts the bellows at her fire, there to give [preferred pronoun] all passions to the sage-sniff of the poacher’s pouch when he threw her manfully onto the sandy shores of Marathon… Oh, per-lease!












